91视频

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Key facts

Entry requirements

112 or DMM

Full entry requirements

UCAS code

W640

Institution code

D26

Duration

3 yrs full-time, 4 yrs with placement. 6 yrs part-time.

Three years full-time, four years full-time with placement. Six years part-time.

Fees

2025/26 UK tuition fees:
£9,535*

2025/26 international tuition:
£16,250

Entry requirements

UCAS code

W640

Duration

Three years full-time, four years full-time with placement. Six years part-time.

91视频is one of the few universities where you’ll benefit from a unique block teaching approach.

We offer more than a degree — every course is designed with employability and real-world experience at its core.

Enhance your studies and broaden your horizons, and develop new skills with our international experience programme, 91视频Global.

鈥淭he Vijay Patel Building and the studios are incredible. You can hire out some advanced equipment to use for your own projects, which is amazing.鈥

Gain the skills to become a creative photographer and videographer with the confidence and knowledge to deliver on commercial briefs.

You’ll explore digital and analogue techniques to create industry-standard photography and video work, aligning with contemporary art practices. Additionally, you will develop your individual artistic voice through experimentation in your chosen disciplines, allowing your conceptual goals to evolve through critical conversations with tutors, peers, alumni, and visiting artists.

Your post-graduation career aspirations will be supported through modules, workshops, visiting guest lectures and external live brief projects that will provide you with experience in your chosen career.

  • Create without limitations and enjoy access to free film and chemistry required to explore analogue techniques.
  • Every student has an opportunity to work on live briefs for external clients, with additional work experience opportunities at businesses such as the National Space Centre, Disney, FABRIC (formerly Dance4), Soft Touch Arts and Gymshark.
  • Our graduates go on to a varied range of careers in independent production, editing, curating, cinematography, multimedia industries, art directing, publishing and journalism, to name a few. Recent employers include Paul Smith, Sky, Vogue, Nike and Universal Pictures.
  • Benefit from opportunities to discuss your work with world-leading curators and arts professionals. Past portfolio reviewers include curators from the Tate Modern, The Contemporary Arts Society, and other galleries and art institutions.

1st for Overall Average Student Satisfaction

Based on the main themes of arrival, living, learning, and support in the 2024 International Student Barometer rankings.

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An 鈥楨xcellent鈥 Five Star Rated University

Rated by QS Top Universities for our teaching, facilities, employability, global outlook and more.

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The Best Careers Support

DMU鈥檚 Careers Team won Employability Team of the Year at the TargetJobs National Graduate Recruitment Awards for helping students reach their ambitions.

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The First University to Achieve a Silver Race Equality Charter Award

Our work to improve equality and diversity, challenge racism and build an anti-racist community earned us the award.

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2nd for Sustainability

91视频was named 2nd in People & Planet鈥檚 University League Table for our commitment to environmental sustainability.

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The Best University for LGBTQ+ staff

A staff survey by Stonewall saw us ranked the top university, and 2nd across all employers, for our work to create an inclusive environment where everyone has a voice.

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The Best Autism Support

The National Association of Disability Practitioners Award identified 91视频as the best at supporting autistic students.

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25th Best University

Student reviews and independent data from Uni Compare rankings placed us as the 25th best university.

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11th Best for Accommodation

Uni Compare describes our accommodation as A+, rated 11th best by students in its rankings.

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Top 20 for Employability

Students rated us as the 16th best university for employability in the Uni Compare rankings.

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Best for Work Experience

Students rated 91视频as the best university in the UK for work experience in both the 2024 and 2025 RateMyPlacement Awards.

Best University WINNER LinkedInFind out what makes us special

Our next Open Day is on
Saturday 04 October

Join us in 86 days and 3 hours.

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What you will study

Block 1: Photography Ideas and Practice

This module introduces you to the technical, creative and thematic components of still image capture and production. You will explore both darkroom and studio-based photography practices and are encouraged to explore the medium by engaging with the history of photography and components of the photographic image.

Assessment: You will produce an extensive research and development portfolio that reflects your learning within this module, including a portfolio of images and written reflections.

Block 2: Moving Image Ideas and Practice

This module introduces you to the tools, techniques, creative methodologies and visual research methods used in making and interpreting moving images. The principles of moving image production, including video capture, editing, sound capture and manipulation, cinematography and lighting for moving image are introduced alongside appropriate research methodologies.

Assessment: You will create and research and development portfolio consisting of moving image-based works both individually and as a group and reflect on your production skills.

Block 3: Contextual and Visual Research

This module provides a sequential overview of developments in photography and lens-based media from 1839 through the 1980s. You will understand photography and moving image as a cultural activity with emphasis on its historical, documentary, and social value as well as its own aesthetic developments during this period. You will produce visual and written work that investigates and responds to relationships between practitioners and their grounding within theory.

Assessment: A research and development portfolio along with an annotated bibliography. You will create a portfolio of visual responses to lectures and workshops, engaging with the concepts, histories, theories and ideas discussed within sessions.

Block 4: Presenting and Contextualising Your Work

This module introduces you to the processes and practices relevant to producing work for an audience. You will explore the many ways in which photography and moving image work can be presented and create a body of work that is guided by the form in which they will be presented. You will be encouraged to take a creative and experimental approach to making work, and to engage with the reflection of their methodology through a contextual/reflective journal.

Assessment:

Portfolio: This is a production project comprising of a photobook or short film.

Reflective Journal: You will write a journal that considers the historical, critical, ethical and individual circumstances surrounding the production of your project.

Blocks 1 and 2: Experimental and Emerging Practice

This module challenges you to become more autonomous in your creative practice and research as you instigate, develop and then realise a creative still and/or moving image project. You are introduced to a variety of experimental and creative frameworks to lens-based production and beyond. Workshops explore how photographic and moving image work interconnect with other artistic and commercial practices.

Assessment:

Research and development: You will produce an extensive research and development book that supports your portfolio.

Portfolio: You will create a portfolio of images, moving image work, or other experimental approach.

Blocks 1 and 2: Critical Research and Contemporary Visual Culture

This module focuses on ideas that have influenced the production, dissemination and interpretation of lens-based media’s manifold roles in society. You engage in a critical examination of theories of image making from historical and contemporary perspectives, while engaging with a series of visiting artist lectures. You will consider lens-based production in relation to other media including film, painting, sculpture, and the digital world.

Assessment:

An Artist Talk and Reading Reflections: You will select from a variety of artist talks and readings to effectively summarise and critically reflect upon them.

Essay: You will write an essay in response to a negotiated research question.

Block 3: Studio Practice: Themes and Techniques

This module presents you with an in-depth refinement of the skills, concepts and theories of contemporary lens-based production, offering an opportunity for development in both photography and moving image production. Emphasis is placed on assigned and self-directed briefs that examine critical and aesthetic issues related to both commercial and fine art photographic and moving image practices. A series of technical and creative workshops allow you to experiment with advanced and experimental modes of image production.

Assessment:

Research and development: You will create a portfolio that collects images and written work in relation to thematically driven work.

Portfolio project: You will create a collection of 20 images.

Block 4: Curation and Exhibition

This module introduces you to the professional side of image production and display through a series of creative industry focused briefs designed to develop your working knowledge of the ways in which images are presented, displayed and disseminated in a variety of contexts. You will explore the history and process of curation and public display, take part in planning and marketing a group exhibition, and understand how to present your own work to a variety of audiences.

Assessment:

Essay: You will write a contextualising exhibition review that explores a current exhibition, describing how the exhibition conforms to industry standards, ethical and intellectual property concerns, while also breaking down its historical grounding and impact within contemporary culture.

Project proposal: This is a group project where you will develop, plan and outline exhibition ideas to create a proposal for a real or imagined exhibition space.

As part of this course, you will have the option to complete a paid placement year which offers invaluable professional experience.

Our award-winning Careers Team can help you secure a placement through activities such as mock interviews and practice aptitude tests, and you will be assigned a personal tutor to support you throughout your placement.

Blocks 1 and 2: Final Major Project Development

This production and research focused module will provide you with the opportunity to produce an experimental body of practical work in your own specialist area of image production. You will support your project with research and development demonstrating creative and technical growth.

Assessment: An experimental portfolio with research and development: You will create a portfolio of 8-12 original images, or moving image equivalent, alongside outlining the research and practice behind your work.

Blocks 1 and 2: Critical Research

This module will enable you to undertake critical research within an area of creative lens-based practice. You will develop a focus on critically considered practitioners, theories and histories which are contextually related to the area of practice that you are working in for your Final Major Project.

Assessment: A critical essay and an annotated bibliography.

Blocks 3 and 4: Final Major Project

This production and research focused module will provide you with the opportunity to refine and expand on your experimental body of practical work in their own specialist area of image production. You will produce final body of practical work which will typically form the basis of your degree show exhibition, alongside an investigational researched-based portfolio.

Assessment: Final major project; you will create a major project portfolio with research and development and an artist statement.

Blocks 3 and 4: Professional Practices

This module guides you in preparing a variety of visual and written materials relating to your chosen career track. You will and explore the contextual nature of lens-based creative practice, produce both visual and written materials based around a self-negotiated project, and produce a media profile suited to the dissemination of your creative work. You will also work to a live client brief, learning how to select the most appropriate creative strategies when working with audiences, clients, consumers and markets.

Assessment: Two portfolios; one in response to a client brief and a second media profile focusing on external professional development.

Note: All modules are indicative and based on the current academic session. Course information is correct at the time of publication and is subject to review. Exact modules may, therefore, vary for your intake in order to keep content current. If there are changes to your course we will, where reasonable, take steps to inform you as appropriate.

Individual studio practice, group projects, workshops, group criticisms, lectures, seminars, study trips and one-to-one tutorials form the basis of this studio-based taught course. You will use a journal to collate your research and as a space for reflection on your professional, creative and intellectual development. Contextual studies and art history lectures will deepen your understanding of the theories and histories of Fine Art.

All students gain darkroom experience and learn historical processes as well as video and sound production and editing skills, and techniques to incorporate into your photographs such as laser cutting, projection mapping, VR and AR.

The first year is designed to develop the key skills that every artist needs as the foundation of their practice. In the second semester the emphasis of teaching changes to enable you to synthesise your learning into a self-directed creative project of your own devising. You will be supported by regular tutorials and studio crits, as well as art history tuition.

In the first semester of the second year, you will be able to choose a specialist area. From semester two of the second year until the end of the course, you will work on your own individual creative interests and develop your potential as an artist. The course culminates with an exhibition of your work in DMU's Festival of Creativity – your first engagement as a professional artist.

Our teaching staff are research-active artists, who bring cutting-edge insights drawn from experience of their own practice and professional life into the studio, workshops and lecture theatres. They are supported by a wide range of visiting artists.

Contact hours

In your first year you will normally attend around 13 hours of timetabled taught sessions (lectures and tutorials) each week, and we expect you to undertake at least 21 further hours of independent study to complete project work and research.

Photography and Video in the spotlight

Fitness fan Lucas thrives during dream placement at Gymshark

Fitness fan Lucas thrives during dream placement at Gymshark

Completing a placement year with his favourite fitness brand has resulted in strong industry connections and new opportunities for 91视频 Leicester (DMU) student Lucas Dove.

August 2022

Graduate work

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Our facilities

Photography and video workspaces

As a Photography and Video BA student, you’ll benefit from access to multiple bookable video editing suites, lighting studios and photo editing computer suites to bring your creative visions to life. These spaces are available to you during study hours, without restrictions.

You’ll enjoy access to high quality, cutting-edge technical labs staffed by supportive technical demonstrators, which 99% of our students' rate as providing excellent support.

Vijay Patel Building

Our award-winning Vijay Patel Building is a hub of creativity and innovation, offering cutting-edge facilities designed specifically for Arts, Design and Humanities students. With state-of-the-art workshops, labs, and studios, you'll bring your ideas to life in spaces that mirror professional industry settings. Open, transparent environments foster cross-disciplinary collaboration, empowering you to experiment, design, and thrive in an inspiring atmosphere. Take a look at our stunning showcase of the building at

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Our expertise

Profile picture for Mark Kasumovic

Mark Kasumovic

Senior Lecturer and Programme Lead

Mark’s photography and research take him to extraordinary locations, collaborating with climate scientists to visualise climate change research. His work, A Human Laboratory, explores technology and knowledge production. Other projects include Picture/Perfect, examining digital imagery in the information age, and Ideal Landscapes, redefining traditional landscape photography through artificial lighting.

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Matthew Pell

Senior Lecturer

Matthew Pell’s moving-image work explores identity in urban spaces, city morphology, and soundscape ecology. An ongoing research project, Bridges, examines manufactured structures crossing the River Soar. With 22 years of video production experience, Pell has collaborated on live projections, public screenings, music videos, and video art with musicians, sound artists, and theatre companies.

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David Soden

Senior Lecturer

Working currently as the artist HONEST DAVE, David has a varied creative background, including 15 years in community arts. He has led music and filmmaking workshops for disadvantaged groups and individuals with disabilities. A filmmaker and composer, his work spans documentary, drama, and theatre, with soundtracks featured on BBC, ITV, and major UK theatres and galleries.

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Sally Hossack

Senior Lecturer

Sally is a digital media producer skilled in camerawork, editing, and music technology. With extensive freelance video production experience, she specialises in dance, documentary, and music videos. She teaches photography and video, focusing on self-portraiture and visual sound, and is also a musician, creating music for media and performing in various bands.

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Andrea Jaeger

Lecturer

Andrea explores human-machine interactions in photography, with a post-humanist perspective, reframing it as a multisensory, co-produced event. Her mixed-media installations incorporate sound, video, print, and participation, addressing displacement, deep matter, and feminist thought. She has exhibited across the UK, US, Germany, Switzerland and Denmark, and was awarded the Attenborough Prize in 2015.

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Lala Meredith Vula

Professor of Art & Photography

Lala is a professor of art and photography, with achievements that include taking part in Freeze - Damien Hirst’s landmark exhibition, famous for launching the Young British Artists (YBA). Lala represented Albania in the 48th Venice Biennale in 1999 and participated in documenta 14 in Athens and Kassel in 2017. Lala has exhibited internationally and at the Photographers’ Gallery in London.

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Haley Morris-Cafiero

Associate Professor of Visual Arts

Haley’s research has reached a global audience through viral media exposure and exhibitions. Through her professional practices teaching, she supports students in reaching their professional goals by creating opportunities to bring curators, art directors, etc to 91视频to work with students. She also supports the studio modules by teaching interdisciplinary practices.

What makes us special

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91视频Global

91视频Global is our innovative international experience programme, designed to enrich your studies, broaden your cultural horizons, and prepare you to thrive in a global job market.

Students on this course have recently undertaken 91视频Global trips to Paris and New York. In years two and three, students have had the opportunity to pitch to win an international work opportunity photographing a 91视频Global project, the latest one being DMU’s Square Mile India project in Ahmedabad.

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Block teaching

Block teaching offers a focused, streamlined learning experience where you study one subject at a time, rather than juggling several simultaneously. This approach means you’ll benefit from quicker feedback through regular assessments, a simplified timetable, and a healthier study-life balance.

With more time to focus on each subject, you’ll have the flexibility to fully engage with the 91视频community, build connections, and explore other enriching aspects of university life. Whether it’s participating in societies, pursuing personal interests, or making the most of campus opportunities, block teaching ensures you can thrive academically while enjoying a rewarding university experience.

Where we could take you

Four models in Gymshark clothing photographed by Lucas Dove

Placements

This course gives you the option to enhance and build your professional skills to progress within your chosen career, through a placement. Our dedicated team offers a range of careers resources and opportunities so you can start planning your future.

We have excellent industry links, ensuring you work on relevant projects and clients’ briefs to grow your experience and build your external reputation before you graduate. Previous student, Lucas, completed a placement at Gym Shark while studying on this course.

There are also opportunities to exhibit your work – graduate Peter Tatsis was selected by international professionals to exhibit at the highly regarded photography festival FORMAT.

Careers Hub

Graduate careers

The course is designed to develop the skills needed to succeed in a professional creative market across a variety of roles. As a graduate, you will have the creativity and flexibility to respond to new directions in this dynamic sector.

Photography and Video continues to be a principal element of most visual culture today, including journalism, marketing and business, branding and fine art.

Our graduates go on to careers in independent production, editing, curating, cinematography, multimedia industries, art directing, publishing, advertising, journalism, picture research, teaching and arts practice. You will also develop business skills to succeed as a freelance practitioner.

Recent employers include Paul Smith, Sky, Vogue, Nike, Universal Pictures, Trigger Global, Lacoste, John Lewis Partnership, the BBC, Mail Online, Apple, Rolling Stone, The Independent, and i-D Magazine.

Take your next steps

Course specifications

Course title

Photography and Video

Award

BA (Hons)

UCAS code

W640

Institution code

D26

Study level

Undergraduate

Study mode

Full-time

Part-time

Start date

September

Duration

Three years full-time, four years full-time with placement. Six years part-time.

Fees

2025/26 UK tuition fees:
£9,535*

2025/26 international tuition:
£16,250

*subject to the government, as is expected, passing legislation to formalise the increase.

Entry requirements

We鈥痺elcome applicants from a range of backgrounds.

  • Art and Design Foundation, or
  • 112 UCAS points from at least 2 A levels鈥
  • 鈥疊TEC Extended Diploma DMM
  • International Baccalaureate: 26+ Points or
  • T Levels Merit

Plus, five GCSEs grades 9-4 including English Language or Literature at grade 4 or above.

  • Pass Access with 30 Level 3 credits at Merit and GCSE English (Language or Literature) at grade 4 or above

We will normally require students to have had a break from full time education before undertaking the Access course.

  • We also accept the BTEC First Diploma plus two GCSEs including English Language or Literature at grade 4 or above.

English language requirements

If English is not your first language, an IELTS score of 6.0 overall with 5.5 in each band (or equivalent) when you start the course is essential.

English language tuition, delivered by our British Council-accredited Centre for English Language Learning, is available both before and throughout the course if you need it.

Interview and portfolio

Interview required: No

Portfolio required: Yes

Please see our portfolio advice page for full details.

Contextual offer

To make sure you get fair and equal access to higher education, when looking at your application, we consider more than just your grades. So if you are eligible, you may receive a contextual offer. Find out more about contextual offers.