Research Students
Doctor of Philosophy
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Stefano Catena [ DTP with U. Birmingham]
The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W:
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Robert Chafer [ DTP]
Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition
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Eddie Clijsen [ DTP]
Practical Explorations of Formalised
Approaches to Microtonal Composition
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Joanna Cogle
Musique Concrète Composition Techniques
and Timbre in Horror Film Scoring
[PhD by Professional Practice]
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Ross Davidson [ DTP]
The Integrated Soundtrack in Practice:an
Electroacoustic Sensibility to Composition
Incorporated into NarrativeFilm Sound Design
W:
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Katie-Jane Howard
Audience Perception of Digital Music Instruments
in Live Musical Performance
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Eva Kára
Writing the Political: Electroacoustic Music
Composition as Ideology
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Matt London [ DTP]
The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of
Music, Sound Design and Dialogue within
Horror Cinema
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Christina Palandri [ DTP]
Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres
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Samvaran Rai [ DTP]
Ambiguity in the Disembodied: A Designer's
Approach to Sound Dramaturgy in Electroacoustic
Music
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Masters by Research (MA or MSc)
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Cameron Flynn
Sonifying Silence: Art, Science and Plant
Perception
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Petros Galankis
Surfing the brainwaves: Neural entrainment as
a framework in musical composition
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Joe Hitchen
Reimagining Boom-Bap HipHop
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Kris Parker
Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film
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Liam Roberts
Production as a Contributor to Musical
Communication
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Connor Snape
Fundamentals of Adaptive Audio Design
in an IDM Context for Video Games
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Joe Stillwell
Interdisciplinary Improvisation
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Pawel Wietrzykowski
Shifting Memories: Practice-Based Experiments
in Audio-Visual Art Exploring Memory and
Identity
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